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Up from the Blue (HarperCollins, September 2010)
. . . . . . . . . . . . . . . . . .

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writer, editor
Susan Henderson
UP FROM THE BLUE on HarperAudio 4/10/2012!
illustration
Susan Henderson, LitPark

SUSAN HENDERSON is a two-time Pushcart Prize nominee and the recipient of an Academy of American Poets award. Her debut novel, UP FROM THE BLUE, was published by HarperCollins in 2010 and has been selected as a Great Group Reads pick (by the Women’s National Book Association), an outstanding softcover release (by NPR), a Best Bets Pick (by BookReporter), Editor’s Pick (by BookMovement), Editor’s Choice (by BookBrowse), a Prime Reads pick (by HarperCollins New Zealand), a Top 10 of 2010 (by Robert Gray of Shelf Awareness), and a favorite reads feature on the Rosie O'Donnell show. Now in its fourth printing, UP FROM THE BLUE will soon be available in Norwegian and Dutch translation.

Susan blogs at LitPark and The Nervous Breakdown and volunteers for the We Are Family Foundation. Her husband is a costume designer, filmmaker, and Chair of a university drama department. They live in NY with their two boys.


On the Web:

Facebook * MySpace * Twitter * LitPark


What's new?

I have a weekly column over at The Nervous Breakdown called The Evolution of the Book, chronicling the ups and downs of writing and selling my first novel. Whether it's a roadmap you want to follow or not is up to you, but you may find some hope in the fact that what looks like utter failure is often closer to success than you think. So far, the pieces in this series include professional jealousy, the frustration of waiting, how a book can save a kid, places that capture us, pummeling ourselves, the arrival of a 30-year-old letter, introverts at the microphone, temporary ecstasy (the first book deal), career day, the problem of trying to write the truth, riding the rollercoaster (a story of buying my book back from one of the big-6 publishers), finding joy in the midst of anxiety and uncertainty, thoughts from both sides of the rejection letter, a community of misfits, your questions about publishing, how to find a literary agent, what happens after you sign with a literary agent, what happens after your book is sold, the truth about blurbs, the magic of writer retreats, such as Squaw Valley, and today, the mistakes that changed us.

You can also check out my conversations with Neil Gaiman about his hair (which made the L.A. Times!), Attica Locke about finding her voice, Barry Eisler, David Morrell, Gayle Lynds, and Karen Dionne about literary vs. genre fiction, Pierre Berg about surviving Auschwitz, Danielle Trussoni about selling film rights to her novel, Lac Su about his transition from gang member to fatherhood, M.J. Rose about her journey from self-publication to bestselling author, Belle Yang about her illustrated memoir that took 14 years to complete, Ann Kingman about her job as bookseller for a major publishing house, and Binnie Klein about taking up boxing at age 55. Last thing, if you want to meet the man I've been with for 23 years, he's interviewed here.

And over at LitPark, we're telling stories about what we're launching in the new season. Come join the conversation!


BEST-KNOWN PROJECTS
Praise for UP FROM THE BLUE:

[An] elegant debut… Henderson’s fascinating novel fearlessly examines the complexities of depression, romantic and filial love, and motherhood. Beautiful, funny, sad, and complicated…. —Publishers Weekly, starred review

@LitPark – I love ur book – almost done with it – would u like to come on my radio show? —@Rosie O’Donnell

UP FROM THE BLUE, a debut novel by Susan Henderson, examines maternal love and tells the story, with unsettling grace and hope, of the relationship and love between mother and daughter. This is a compelling love story, but one that will continue to haunt you months after you finish reading it. —San Francisco Book Review

[A]n unsettling, yet beautiful story you won’t soon forget. —NPR

This is Susan Henderson’s first novel, but from the poise she brings to its wrenching subject matter you won’t be surprised to learn that she is already a published – and praised – poet and short story writer. Fierce and tender, [UP FROM THE BLUE] offers a child’s eye view of depression, with an unsolved mystery at its heart. —The Daily Mail

UP FROM THE BLUE is a page-turner that will keep you up reading until 2 a.m. to find out what happens next. —The Erie Times
Rapturous prose…. A triumphant debut. —Library Journal

This is a story of the love between a mother and her daughter, of resilience and forgiveness. A story you will want to remember and talk about long after you finish the book. —Sacramento Book Review

In the throes of delivering her first child, Tillie speaks across the years to her mother: “It wasn’t perfect, but I never needed perfect.” I hope that UP FROM THE BLUE reaches as wide an audience (including book clubs) as The Glass Castle and The Stone Carvers. —Chuck Erion, The Waterloo Region Record, Ontario, Canada

The book takes the reader on an emotional roller coaster ride, but has more than one surprise hidden away in that old mansion. An even greater surprise is in the final wrap-up. —Bill Duncan, The News-Review

An achingly real depiction of a family struggling with mental illness, UP FROM THE BLUE is a wrenching debut recalling the works of Lionel Shriver, Mark Haddon, and Emma Donoghue. —One World Publications

This incredibly accomplished debut novel is part mystery, part coming-of-age, and totally enthralling. —Sarah-Kate Lynch, New Zealand Woman’s Weekly

One of the most engrossing and sensitively written portraits of a family struggling with mental illness that I’ve read. —Nicky Pellegrino, New Zealand Herald

Susan Henderson’s UP FROM THE BLUE is a wonderful, emotionally draining read from start to finish, telling the story of Tillie, a young girl growing up with a mentally ill mother… well worth the inevitable tears. —Otago Daily Times

Inescapable sadness is threaded through with surprising moments of joy, in an intimate story that dispels the usual notions of victims and oppressors. —The Columbus Dispatch

UP FROM THE BLUE is Susan Henderson’s haunting debut novel, a complex and surprising family drama set in the turbulent 1970s. Filled with unforgettable characters and Henderson’s elegant, gorgeous prose, the book is fast-paced and impossible to put down. —LargeHearted Boy

Nothing in this book unfolds quite the way you would predict — but what you read will haunt you. And it will be the kind of book you want to talk about once it’s done. This is one of the strongest debut novels that I have read. …Don’t miss this brilliant paperback original that people are sure to be talking about. —BookReporter.com, “Bets On” pick

Henderson shows remarkable compassion in her debut novel… —BookList

Susan Henderson’s UP FROM THE BLUE deftly portrays a family with contradictions we can all relate to—it’s beautiful and maddening, hopeful and condemning, simple, yet like a knot that takes a lifetime to untangle. This is a book that you will love completely, even as it hurts you. It is a heartbreaking, rewarding story that still haunts me. I absolutely loved this book…gushingly, unequivocally, loved it. —Jamie Ford, New York Times bestselling author of HOTEL ON THE CORNER OF BITTER AND SWEET

Susan Henderson masterfully weaves a story where family can both indelibly wound, and yet also redeem. Heartbreaking, compelling—ultimately beautiful. —Samantha Dunn, author of FAITH IN CARLOS GOMEZ

Brilliant! UP FROM THE BLUE felt like a gorgeous gift to my heart. Susan Henderson has a genius for exposing the exquisite flaws and beautiful frailties of her characters with such tenderness the reader can’t help but be uplifted. Yes, it’s that sublime. I fell in love with Tillie, I fell in love with this book. You will, too. —Ellen Meister, author of THE OTHER LIFE and THE SMART ONE

In UP FROM THE BLUE Susan Henderson delivers a compelling, deeply felt tale about the complexities of family life. You’ll fall in love with young Tillie Harris, whose attempts to navigate her parents’ unruly world are portrayed with genuine warmth and tenderness. —Michelle Richmond, New York Times bestselling author of THE YEAR OF FOG

A haunting tale of the terrible ways in which we fail each other; of the whys, the what ifs, and the what nows. This is not a book you’ll soon forget. —Sara Gruen, New York Times bestselling author of WATER FOR ELEPHANTS

Through her gorgeous, perceptive debut, Susan Henderson reveals the truth–a family’s effort to hide its secrets and shame will break a child’s heart. UP FROM THE BLUE is an unflinching, emotionally honest novel, one of the most insightful stories I’ve ever read. —Ronlyn Domingue, author of THE MERCY OF THIN AIR

A remarkable debut, not just for the uncanny accuracy and charm of eight-year-old Tillie’s narrative voice, but for the way the characters reveal unexpected angles of themselves that make them somehow realer than real. UP FROM THE BLUE lingers in the mind. Susan Henderson shows herself to be a writer of great skill and subtlety. —Mark Childress, author of CRAZY IN ALABAMA and ONE MISSISSIPPI

UP FROM THE BLUE is a beautiful, haunting, spirited debut, charged with secrets and deep longing. Susan Henderson has written a moving love story, a portrait of that deep lasting love between mother and daughter. —Julianna Baggott, author of THE MADAM and WHICH BRINGS ME TO YOU

UP FROM THE BLUE is a heart-wrenching, tender story with a mystery that kept my pulse racing. What a joy to discover Tillie Harris, the most memorable, charming and plucky narrator in fiction since Scout Finch. —Jessica Anya Blau, author of Today Show pick, THE SUMMER OF NAKED SWIM PARTIES

Haunting and unsettling, UP FROM THE BLUE’s real alchemy is the way it uncovers the stories that alternately save us and keep us from our real truths. Incandescently written, this is a stunning debut with heart. —Caroline Leavitt, author of GIRLS IN TROUBLE and PICTURES OF YOU

UP FROM THE BLUE is elegant and engrossing. Like a modern-day Scout, Henderson’s child narrator Tillie Harris is both tender and tough, charming and filled with wonder by the difficulties she must overcome. Henderson is a talent to watch. —Danielle Trussoni, author of ANGELOLOGY and FALLING THROUGH THE EARTH

In this extraordinary first novel, a young girl forced to live within the regimented world of her military father discovers the darkness behind his austere existence. Her secret, nighttime life, spent inside a basement chamber straight out of Jung, conjures the no-man’s-land between madness and sanity. With its authentic and startling imagery, Henderson’s story glimpses the darkness of the heart as well as the rays of light that manage to shine through. —Kim Ponders, author of THE ART OF UNCONTROLLED FLIGHT and THE LAST BLUE MILE

A luminous debut. Henderson explores the emotional tremors of a troubled military family in a story layered with shock, revelation–and hope. —Dylan Landis, author of NORMAL PEOPLE DON’T LIVE LIKE THIS

Susan Henderson makes real the magic and terror of childhood with such vivid uncanny accuracy that I can almost imagine being a child again. She takes readers back into the world of children like no other writer today—without cloying sentimentality, and without the wild hysteria of memoir. Funny, smart, innocent, and wicked, her narrator is one of the most memorable voices to show up in fiction in ages. —Jim Daniels, Pushcart and Brittingham Prize winner, and author of NO PETS, DETROIT TALES, PLACES/EVERYONE, PUNCHING OUT M-80, BLESSING THIS HOUSE, BLUE JESUS, NIGHT WITH DRIVE-BY SHOOTING STARS, LETTERS TO AMERICA: CONTEMPORARY AMERICAN POETRY ON RACE

UP FROM THE BLUE is a bejeweled tale of mother and daughter, longing and understanding, all ripe with the antics of a brilliantly imagined girl named Tillie. Dark and sweet like a wild cherry Lifesaver, Henderson’s prose makes our hearts pucker, while enchanting our minds long after the story is done. —Amy Wallen, Los Angeles Times bestselling author of MOONPIES AND MOVIE STARS

Tillie Harris, Susan Henderson’s courageous young heroine, is vibrant and true. Her voice fills the pages of UP FROM THE BLUE with a bittersweet song of innocence and longing as she navigates her way through her perilous life—a life dominated by her mother’s desperate unhappiness and her father’s frustrations. I wanted to hold Tillie tight then release her with a smile, so I could watch her set the world on fire with her hard-won wisdom and sparkling energy. —Laura Benedict, author of ISABELLA MOON and CALLING MR. LONELY HEARTS

UP FROM THE BLUE is a rare literary page-turner full of shocking discoveries and twists. Susan Henderson has created a remarkable narrator – as memorable for her feistiness as for her tenderness. UP FROM THE BLUE is going to be one of this year’s major debuts. —Josh Kilmer-Purcell, NY Times bestselling author of I AM NOT MYSELF THESE DAYS and THE BUCOLIC PLAGUE

Here, finally, is a contemporary writer willing to embrace the pathos, the ache, the hunger of human life in fiction that’s luminous and moving and transformative. In the character of Tillie, Susan Henderson pursues the shadows of childhood without allowing herself to be obliterated by the potential, there, for darkness; her fictional creations are beautifully flawed and hence gorgeously human. For me, Susan Henderson is one of the most important writers to come along since Carson McCullers. Like McCullers, she turns her eye upon the sadness, the poignancy, and the grotesqueries of our world, evokes them with a keen and unswerving vision that is tempered only by understanding and love. A remarkable writer…and a brilliant one. —Terri Brown-Davidson, assistant editor at Zoetrope: All-Story and author of MARIE, MARIE, HOLD ON TIGHT

Using perfect prose as a weapon, Sue Henderson’s UP FROM THE BLUE burrows into you, so that if you put the book down, you will soon feel compelled to pick it back up, and when you have read the final word, you realize that you will carry this story with you for the foreseeable future. —John Warner, editor of McSweeney’s Internet Tendency

I would love to be able to talk about Susan Henderson’s book, UP FROM THE BLUE, without using the word “awesome.” But the truth is, I can’t do it. I’m in awe of the big-hearted love of a daughter for her mother. I’m in awe of the all-too-human Tillie with her brilliant imperfections, with her truth-telling, with her outrageous simplicity. I’m in awe of the breadth and scope of this book. I’m in awe of how Susan Henderson makes it seem as if there’s nothing small in the world. I know you’ll agree. UP FROM THE BLUE is no less than awesome. —Terry Bain, O. Henry award-winner and author of YOU ARE A DOG: LIFE THROUGH THE EYES OF MAN’S BEST FRIEND

Susan Henderson deftly conjures that surreal kingdom known as childhood, a realm teeming with tactile mysteries, hourly epiphanies and ineffable longing. Tillie is as brave and winning a narrator as we could wish for, caught in a painful intimacy with her disturbed mother, but also embarking on the necessary adventure of defiance. UP FROM THE BLUE is a wonderful book, always evocative and often funny, fashioned with a delicate touch and a riddler’s humor. —M. Allen Cunningham, author of THE GREEN AGE OF ASHER WITHEROW

Susan Henderson writes with the sort of honesty, clarity, and attention to detail that makes you forget for a moment that you are reading fiction or even reading at all. It is a sign of the greatest level of art: to erase the artifice that separates the reader from the experience. The stories in this book do this with admirable skill, creating a world of vivid sadness and beauty. —Grant Bailie, author of CLOUD 8

In luminous, economical prose, Susan Henderson tells the story of Tillie, a lonely child in a family of loners, doing her best to please her high-ranking Pentagon scientist father, her literary, unstable mother and her scornful older brother, all of whom have secrets she wants only to understand. She grows before our eyes in deft, layered chapters that are at once painful and funny. Neglected and demanded too much of, eager to please and rebellious in equal measure, Tillie embodies the very spirit of late twentieth-century America, and we can’t help but love her. Indeed, Henderson’s greatest gift to the reader—and there are many— is the evidence that love, though it surely does not conquer all, makes forgiveness possible and hope inevitable. —Maryanne Stahl, author of FORGIVE THE MOON and THE OPPOSITE SHORE
SPECIALIZED TRAINING, WORK EXPERIENCE, HONORS
&lSchooling:
Carnegie Mellon University (B.A.)
Vanderbilt University (M.Ed)

Work:
Upcoming: Guest, NPR's DimeStories
Former managing editor, Night Train literary magazine.
Former writer for ABC News Multi-Media Literacy project.
Former crisis counselor at Pittsburgh Action Against Rape.

Radio and podcasts:
Podcast interview:
podcast discussion between me and Paul A. Toth re: truth and memoir
(find podcast #23, Feb. 1, 2006, then click on the mp3 link)

Interview, NPR (KRCB):
Listen to my NPR (KRCB) Interview, 2004 about the unique funding strategy used at Night Train literary magazine. (WARNING: this takes a couple of minutes to download; turn the sound up while you wait.)

Story reading, NPR (KRCB):
My Christmas story "The Kid Has a Letter for Santa" was read on National Public Radio (KRCB ) on Dec. 15 as part of a holiday special.

Interviews:
Make a Scene (Jordan Rosenfeld interviews me about editors and revisions.
The Agony Column (about the sausage-making of editing and selling a book)
Write Free
Inside-Out China
Eight Diagrams
The Publishing Spot
David Niall Wilson interviews me about my writing themes, my blog, and more
Mark Pritchard interviews me for his series called What Are You Working On?
Guest Speaker at BACKSPACE.
2004 Interview with SmokeLong Quarterly with comments on Googling
Another 2004 Interview with SmokeLong Quarterly with comments on my trip to China

Some Past Readings:
NYC, TBA, for The Nervous Breakdown reading, August 2009.
NYC, Highline Ballroom, for Smith Magazine, McSweeney's, and The Rumpus gather, 2009 - with Stephen Elliott, Amy Tan, and more.
NYC, KGB Bar, for the anthology: Best of Online Writing, The First Ten Years, 2009 - with Kim Chinquee, Anthony Tognazzini, and more.
NYC, KGB Bar, for launch of NPR's DimeStories, 2008 - with Amy Wallen, James Spring, Eber Lambert, Ellen Meister, and more.
Cape Town, South Africa, Off-the-Wall, 2006 - with Liesl Jobson, Ken Barris, Mike Cope.
NYC, The Back Room, 2006 - with Pasha Malla, Pia Z. Ehrhardt, Grant Bailie, Jim Nichols, Roy Kesey, Darlin' Neal, Todd Zuniga, Gail Siegel, Kevin Dolgin, Claudia Smith, Lindsay Brandon Hunter.
NYC, Happy Ending bar, 2006 - with Bruce Bauman.
NYC, Happy Ending bar, 2005 - with Todd Zuniga, Pia Z. Ehrhardt, Rose Gowen, Jim Ruland, John Leary, Dave Barringer.
Petaluma, CA - Zebulon's Lounge, 2005 - with Michelle Richmond, Bruce Bauman, Dave Fromm, Jordan Rosenfeld
NYC - Galapagos Art Space, 2005 - with Felicia Sullivan and Whitney Pastorek
NYC - An Evening with Opium Magazine, 2005 - with Pasha Malla, Todd Zuniga, Mike Sacks, Pia Z. Ehrhardt
NYC - Cornelia Street Cafe, 2004 - with Todd Zuniga
Kings Park, NY, Union Square Tavern, 2004 - with John Warner, John Leary, Pia Z. Ehrhardt, Jeff Landon, Terry Bain, Paul A. Toth
PHILADELPHIA - 215 Festival, 2004 - with Michelle Orange, Samantha Hunt, Todd Pruzan, Pia Z. Ehrhardt, Jim Hanas, Leonard Pierce, Dan Kennedy

NIGHT TRAIN literary magazine in the NY TIMES
As managing editor of Night Train, and together with marketing manager Tom Jackson, we created a unique way to fund the magazine that received quite a lot of buzz. Here's an excerpt from a half-page article on our work in the NY Times:

KINGS PARK CATCHES THE IMAGINATION OF A LITERARY JOURNAL
By Julia C. Mead

Literary magazines are generally known for their stunning inability to turn a profit. Often proceeding with an optimistic lack of a business plan, their editors drum up just enough financial backing to publish a few times before the journal disappears, appreciated only by a small, rarefied and fickle audience.

Then there's Night Train, devoted to keeping alive the waning art of short-story writing through a cunning marketing technique......

My favorite books at the moment:
Nicole Krauss, The History of Love, Denis Johnson, Jesus' Son, Tim O`Brien, The Things They Carried, Dave Eggers, A Heartbreaking Work of Staggering Genius, William Maxwell, So Long, See You Tomorrow, Jim Daniels, Detroit Tales, Homer (Fagles translation), The Iliad, and Aimee Bender, The Girl in the Flammable Skirt.

LitPark reads The History of Love by Nicole Krauss

AGENT
Dan Conaway
Writers House
www.writershouse.com/